The English Club, tape 1

DATE: 7 March 1957

OCCASION: The English Club

TAPE: T-106

LENGTH: 32:20

READING: "Spotted Horses" (from The Hamlet)

Play the full recording:

Moderator: Welcome. There's nothing to be said here tonight except that Mr. William Faulkner will read a selection from the "Spotted Horses." [Sir.] [applause]

William Faulkner: I can see now this is going to become a very bad habit with me, to stand up like this with a lot of nice people that don't dare say, "Shut up and sit down." [audience laughter] This is about the horses.

William Faulkner:

When the Texan, picking his teeth with a splintered kitchen match, emerged from the house twenty minutes later, the tethered wagons and riding horses and mules extended from the lot gate to Varner's store, and there were more than fifty men now standing along the fence beside the gate, watching him quietly, a little covertly, as he approached, rolling a little, slightly bowlegged, the high heels of his carved boots printing neatly into the dust. "Morning, gents," he said. "Here, bud," he said to the little boy, who stood slightly behind him, looking at the protruding butt of the pistol. He took a coin from his pocket and gave it to the boy. "Run to the store and get me a box of gingersnaps." He looked about at the quiet faces, protuberant, sucking his teeth. He rolled the match from one side of his mouth to the other without touching it. "You boys done made your picks, have you? Ready to start her off, hah?" They didn't answer. They were not looking at him now. That is, he began to have the feeling that each face had stopped looking at him the second before his gaze reached it. After a moment Freeman said:
"Aint you going to [gap in tape] [wait for Flem]?"

William Faulkner:

"Why?" the Texan said. Then Freeman stopped looking at him too. There was nothing in Freeman's face either. There was nothing, no alteration, in the Texan's voice. "Eck, you done already picked out yours. So we can start her off when you are ready." "I reckon not," Eck said.
"I wouldn't buy nothing I was afraid to walk up to and touch."
"Them little ponies?" the Texan said. "You helped water and feed them. I bet that boy of yours could walk up to any one of them."
"He better not let me catch him at it," Eck said. The Texan looked at the quiet faces, his gaze at once abstract and alert, with an impenetrable surface quality like flint, as though the surface were impervious or perhaps there was nothing behind it.

William Faulkner:

"Them ponies is gentle as a dove, boys. The man that buys them will get the best piece of horseflesh he ever forked or druv for the money. Naturally they got spirit; I aint selling crowbait. Besides, who'd want Texas crowbait anyway, with Mississippi full of it?" [audience laughter] His stare was still absent and unwinking; there was no mirth or humor in his voice and there was neither mirth nor humor in the single guffaw which came from the rear of the group. Two wagons were now drawing out of the road at the same time, up to the fence. The men got down from them and tied them to the fence and approached. "Come up, boys," the Texan said. "You're just in time to buy a good gentle horse cheap."

William Faulkner:

"How about that one that cut your vest off night before last?" a voice said. This time three or four guffawed. The Texan looked toward the sound, bleak and unwinking.
"What about it?" he said. The laughter, if it had been laughter, ceased. The Texan turned to the nearest gatepost and climbed to the top of it, his alternate thighs deliberate and bulging in his tight trousers, the butt of the pistol catching and losing the sun in pearly gleams. Sitting on the post, he looked down at the faces along the fence which were attentive, grave, reserved and not looking at him. "All right," he said. "Who's going to start her off with a bid? Step right up; take your pick and make your bid, and when the last one is sold, walk in that lot and put your rope on the best piece of horseflesh you ever forked or druv for the money. There aint a pony there that aint worth fifteen dollars. Young, sound, good for saddle or work stock, guaranteed to outlast four ordinary horses; you couldn't kill one of them with a axle-tree—" There was a small violent commotion at the rear of the group. The little boy appeared, burrowing among the motionless overalls. He approached the post, the new and unbroken paper carton lifted. The Texan leaned down and took it and tore the end from it and shook three or four of the cakes onto the boy's hands, a hand as small and almost as black as that of a coon. He held the carton in his hand while he talked, pointing out the horses with it as he indicated them. "Look at that one with the three stocking-feet and the frost-bit ear; watch him now when they pass again. Look at that shoulder-action; that horse is worth twenty dollars of any man's money. Who'll make me a bid on him to start her off?" His voice was harsh, ready, forensic. Along the fence below him the men stood, with button close tp their overalls, the tobacco-sacks and worn purses, the sparse silver and frayed bills hoarded a coin at a time in the cracks of chimneys or chinked into the logs of walls. From time to time the horses broke and rushed with purposeless violence and huddled again, watching the faces along the fence with wild mismatched eyes. The lane was full of wagons now. As the others arrived they would have to stop in the road beyond it and the occupants came up the lane on foot. Mrs Littlejohn came out of her kitchen. She crossed the yard, looking toward the lot gate. There was a blackened wash pot set on four bricks in the corner of the yard. She built a fire beneath the pot and came to the fence and stood there for a time, her hands on her hips and the smoke from the fire drifting blue and slow behind her. Then she turned and went back into the house. "Come on, boys," the Texan said. "Who'll make me a bid?"

William Faulkner:

"Four bits," a voice said. The Texan didn't even glance toward it.
"Or, if he dont suit you, how about that fiddle-head horse without no mane to speak of? For a saddle pony, I'd rather have him than this stocking-foot. I heard somebody say fifty cents just now. I reckon he meant five dollars, didn't he? Do I hear five dollars?"
"Four bits for the lot," the same voice said. [audience laughter] This time there were no guffaws. It was the Texan who laughed, harshly, with only his lower face, as if he were reciting a multiplication table.
"Fifty cents for the dried mud offen them horses, he means," he said. "Who'll give a dollar more for the genuine Texas cockle-burrs?" Mrs Littlejohn came out of the kitchen, carrying the sawn half—half of a wooden hogshead which she set on a stump beside the smoking pot, and stood with her hands on her hips, looking into the lot for a while without coming to the fence this time. Then she went back into the house. "What's the matter with you boys?" the Texan said. "Here, Eck, you have been helping me and you know them horses. How about making me a bid on that wall-eyed one you picked out last night? Here. Wait a minute." He thrust the paper carton into his other hip pocket and swung his feet inward and dropped, cat-light, into the lot. The ponies, huddled, watched him. Then they broke before him and slid stiffly along the fence. He turned them and they whirled and rushed back across the lot; whereupon, as though he had been waiting his chance when they should have turned their backs on him, the Texan began to run too, so that when they reached the opposite side of the lot and turned, slowing to huddle again, he was almost upon him—upon them. The earth became thunderous; dust arose, out of which the animals began to burst like flushed quail and into which, with that apparent unflagging faith in his own invulnerability, the Texan rushed. For an instant the watchers could see them in the dust—the pony backed into the angle of the fence and the stable, the man facing it, reaching toward his hip. Then the beast rushed at him in a sort of fatal and hopeless desperation and he struck it between the eyes with the pistol-butt and felled it and leaped upon its prone head. The pony recovered almost at once and pawed itself to its knees and heaved at its prisoned head and fought itself up, dragging the man with it; for an instant in the dust the watchers saw the man free of the earth and in violent lateral motion like a rag attached to the horse's head. Then the Texan's feet came back to earth and the dust blew aside and revealed them, motionless, the Texan's sharp heels braced into the ground, one hand gripping the pony's forelock and the other its nostrils, the long evil muzzle wrung backward over its scarred shoulder while it breathed in labored and hollow groans.

William Faulkner:

Mrs Littlejohn was in the yard again. No one had seen her emerge this time. She carried an armful of clothing and a metal-ridged washboard and she was standing motionless at the kitchen steps, looking into the lot. Then she moved across the yard, still looking into the lot, and dumped the garments into the tub, still looking into the lot. "Look him over, boys," the Texan panted, turning his own suffused face and the protuberant glare of his eyes toward the fence. "Look him over quick. Them shoulders and—" He had relaxed for an instant apparently. The animal exploded again; again for an instant the Texan was free to the earth, though he was still talking: "—and legs you whoa I'll tear your face right look him over quick boys worth fifteen dollars of let me get a holt of who'll make me a bid whoa you blare-eyed jack rabbit, whoa!" [audience laughter] They were moving now—a kaleidoscope of inextricable and incredible violence on the periphery of which the metal clasps of the Texan's suspenders sun-glinted in ceaseless orbit, with terrific slowness across the lot. Then the broad clay-colored hat soared deliberately outward; an instant later the Texan followed it, though still on his feet, and the pony shot free in mad, staglike bounds. The Texan picked up the hat and struck the dust from it against his leg, and returned to the fence and mounted the post again. He was breathing heavily. Still the faces didn't look at him as he took the carton from his hip and shook a cake from it and put the cake into his mouth, chewing, breathing harshly. Mrs Littlejohn turned away and began to bail water from the pot into the tub, though after each bucketful she turned her head and looked into the lot again. "Now, boys," the Texan said. "Who says that pony aint worth fifteen dollars? You couldn't buy that much dynamite for just fifteen dollars. [audience laughter] There aint a one of them cant do a mile in three minutes; turn them into pasture and they will board themselves; work them like hell all day and every time you think about it, lay them over the head with a single-tree and after a couple of days every jack rabbit one of them will be as tame—so tame you will have to put them out of the house at night like a cat." [audience laughter] He shook another cake from the carton and ate it. "Come on, Eck," he said. "Start her off. How about ten dollars for that horse, Eck?"

William Faulkner:

"What need I got for a horse I wouldn't—I would need a bear-trap to catch?" Eck said.
"Didn't you just see me catch him?"
"I seen you," Eck said. "And I dont want nothing as big as a horse if I got to wrastle with it every time it finds me on the same side of a fence it's on." [audience laughter]
"All right," the Texan said. He was still breathing harshly, but now there was nothing of fatigue or breathlessness in it. He shook another cake into his palm and inserted it beneath the moustache. "All right. I want to get this auction started. I aint come here to live, no matter how good a country you folks claim you got. I'm going to give you that horse." For a moment there was no sound, not even that of breathing except the Texan's.
"You going to give it to me?" Eck said.
"Yes. Provided you will start the bidding on the next one." Again there was no sound save the Texan's breathing, and then the clash of Mrs Littlejohn's pail against the rim of the pot.

William Faulkner:

"I just start the bidding," Eck said. "I dont have to buy it lessen I aint over-topped." Another wagon had come up to the lane. It was battered and paintless. One wheel had been repaired by crossed planks bound to the spokes with baling wire and the two underfed mules wore a battered harness patched with bits of cotton rope; the reins were ordinary cotton plow-lines, not new. It contained a woman in a shapeless gray garment and a faded sunbonnet, and a man in faded and patched though clean overalls. There was not room for the wagon to draw out of the lane so the man left it standing where it was and got down and came forward—a thin man, not large, with something about his eyes, something strained and washed-out, at once vague and intense, who shoved into the crowd at the rear, saying,
"What? What's that? Did he give him that horse?"
"All right," the Texan said. "That wall-eyed horse with the scarred neck belongs to you. Now. That one that looks like he's had his—had his head in a flour barrel. What do you say? Ten dollars?"

William Faulkner:

"Did he give him that horse—did he give him that horse?" the newcomer said.
"A dollar," Eck said. The Texan's mouth was still open for speech; for an instant his face died so behind his hard eyes.
"A dollar?" he said. "One dollar? Did I actually hear that?"
"Durn it," Eck said. "Two dollars then. But I aint—"
"Wait," the newcomer said. "You, up there on the post." The Texan looked at him. When the others turned, they saw that the woman had left the wagon too, though they had not known she was there until—since they had not seen the wagon drive up. She came among them behind the man, gaunt in the gray shapeless garment and the sunbonnet, wearing stained canvas gymnasium shoes. She overtook the man but she did not touch him, standing just behind him, her hands rolled before her into the gray dress.
"Henry," she said in a flat voice. The man looked over his shoulder.
"Get back to that wagon," he said.
"Here, missus," the Texan said. "Henry's going to get the bargain of his life in about a minute. Here, boys, let the missus come up close where she can see. Henry's going to pick out that saddle-horse the missus been wanting. Who says ten—"

William Faulkner:

"Henry," the woman said. She didn't raise her voice. She had not once looked at the Texan. She touched the man's arm. He turned and struck her hand down.
"Get back to that wagon like I told you." The woman stood behind him, her hands rolled again into her dress. She was not looking at anything, speaking to anyone.
"He aint no more despair than to buy one of them things," she said. "And us not but five dollars away from the poorhouse, he aint no more despair." The man turned upon her with that curious air of leashed, of dreamlike fury. The others lounged along the fence in attitudes gravely inattentive, almost oblivious. Mrs Littlejohn had been washing for some time now, pumping rhythmically up and down above the washboard in the sud-foamed tub. Now she stood erect again, her soap-raw hands on her hips, looking into the lot.
"Shut your mouth and get back to that wagon," the man said. "Do you want me to take a wagon stake to you?" He turned and looked up at the Texan. "Did you give him that horse?" he said. The Texan was looking at the woman. Then he looked at the man; still watching him, he tilted the paper carton over his open palm. A single cake came out of it.
"Yes," he said.

William Faulkner:

"Is the fellow that bids in to this next horse going to get that first one too?"
"No," the Texan said.
"All right," the other said. "Are you going to give a horse to the man that makes the first bid on the next one?"
"No," the Texan said.
"Then if you was just starting the auction by giving away a horse, why didn't you wait till we were all here?" The Texan stopped looking at the other. He raised the empty carton and squinted carefully into it, as if it might contain a precious jewel or perhaps a deadly insect. Then he crumpled it and dropped it carefully beside the post on which he sat.
"Eck bids two dollars," he said. "I believe he still thinks he's bidding on them scraps of bob-wire they come here in instead of one of them horses. But I got to accept it. But are you boys—"
"So Eck's going to get two horses at a dollar a head," the newcomer said. "Three dollars." The woman touched him again. He flung her hand off without turning and she stood again, her hands rolled into her dress across her flat stomach, not looking at anything.
"Mister," she said, "we got chaps in the house that never had shoes last winter. We aint got corn to feed the stock. We got five dollars I earned weaving by firelight after dark. And he aint no more despair."
"Henry bids three dollars," the Texan said. "Raise him a dollar, Eck, and the horse is yours." Beyond the fence the horses rushed suddenly and for no reason and as suddenly stopped, staring at the faces along the fence.

William Faulkner:

"Henry," the woman said. The man was watching Eck. His stained and broken teeth showed a little beneath his lip. His wrists dangled into fists below the faded sleeves of his shirt too short from—from many washings.
"Four dollars," Eck said.
"Five dollars!" the husband said, raising one clenched hand. He shouldered himself forward toward the gatepost. The woman didn't follow him. She now looked at the Texan for the first time. Her eyes were a washed gray also, as though they had faded too like the dress and the sunbonnet.
"Mister," she said, "if you take that five dollars I earned my chaps a-weaving for one of them things, it'll be a curse on you and yours during all the time of man."
"Five dollars!" the husband shouted. He thrust himself up to the post, his clenched hand on a level with the Texan's knees. He opened it upon a wad of frayed banknotes and silver. "Five dollars! And the man that raises it will have to beat my head off or I'll beat hisn."
"All right," the Texan said. "Five dollars is bid. But dont you shake your hand at me."

William Faulkner:

At five oclock that—that afternoon the Texan crumpled the third paper carton and dropped it to the earth beneath him. In the copper slant of the leveling sun which fell also upon the line of limp garments in Mrs Littlejohn's back yard and which cast his shadow and that of the post on which he sat long across the lot where now and then the ponies still rushed in purposeless and tireless surges, the Texan straightened his leg and thrust his hand into his pocket and took out a coin and leaned down to the little boy. His voice was now hoarse, spent. "Here, bud," he said. "Run to the store and get me a box of gingersnaps." The men still stood along the fence, tireless, in their overalls and faded shirts. Flem Snopes was there now, appeared—appeared suddenly from nowhere, standing beside the fence with a space the width of three or four men on either side of him, standing there in his small yet definite isolation, chewing tobacco, in the same gray trousers and minute bow tie in which he had departed last summer but in a new cap, gray too like the other, but new, and overlaid with a bright golfer's plaid, looking also at the horses in the lot. All of them two—save two had been sold for sums ranging from three dollars and a half to eleven and twelve dollars. The purchasers, as they had bid them in, had gathered as though by instinct into a separate group on the other side of the gate, where they stood with their hands lying upon the top strand of the fence, watching with a still more sober intensity the animals which some of them had owned for seven or eight hours now but had not yet laid hands upon. The husband, Henry, stood beside the post on which the Texan sat. The wife had gone back to the wagon, where she sat gray in the gray garment, motionless, looking at nothing still; she might have been something inanimate which he had loaded onto the wagon to move it somewhere, waiting now in the wagon until he should be ready to go on again, patient, insensate, timeless.

William Faulkner:

"I bought a horse and I paid cash for it," he said. His voice was harsh and spent too, the mad look in his eyes had—had a quality glazed now and even sightless. "And yet you expect me to stand around here till they are all sold before I can get my horse. Well, you can do all the expecting you want. I'm going to take my horse out of there and go home." The Texan looked down at him. The Texan's shirt was blotched with sweat. His big face was cold and still, his voice level.
"Take your horse then." After a moment Henry looked away. He stood with his head bent a little, swallowing from time to time.
"Aint you going to catch him for me?"
"It aint my horse," the Texan said in that flat still voice. After a while Henry raised his head. He didn't look at the Texan.

William Faulkner:

"Who'll help me catch my horse?" he said. Nobody answered. They stood along the fence, looking quietly into the lot where the ponies huddled, already beginning to fade a little where the long shadow of the house lay upon them, deepening. From Mrs Littlejohn's kitchen the smell of frying ham came. A noisy cloud of sparrows swept across the lot and into a chinaberry tree beside the house, and in the high soft vague blue swallows stooped and swirled in erratic indecision, their cries like strings plucked at random. Without looking back, Henry raised his voice: "Bring that ere plowline." After a while the wife moved. She got down from the wagon and took a coil of new cotton rope from it and approached. The husband took the rope from her and moved toward the gate. The Texan began to descend from the post, stiffly, as Henry put his hand on the latch. "Come on here," he said. His wife had stopped when he took the rope from her. She moved again, obediently, her hands rolled into the dress across her stomach, passing the Texan without looking at him.
"Dont you go in there, missus," he said. She stopped, not looking at him, not looking at anything. The husband opened the gate and entered the lot and turned, holding the gate open but without raising his eyes.
"Come on here," he said.
"Dont you go in there, missus," the Texan said. The wife stood motionless between them, her face almost concealed by the sunbonnet, her hands folded across her stomach.

William Faulkner:

"I reckon I better," she said. The old—the other men did not look at her at all, at her or Henry either. They stood along the fence, grave and quiet and inattentive, almost bemused. Then the wife passed through the gate; the husband shut it behind them and turned and began to move toward the huddled ponies, the wife following in the gray and shapeless garment within which she moved without inference of locomotion, like something on a moving platform, a float. The horses were watching them. They clotted and blended and shifted among themselves, on the point of breaking though not breaking yet. The husband shouted at them. He began to curse them, advancing, the wife following. Then the huddle broke, the animals moving with high, stiff knees, circling the two people who turned and followed again as the herd flowed and huddled again at the opposite side of the lot.

William Faulkner:

"There he is," the husband said. "Get him into that corner." The herd divided; the horse which the husband had bought jolted on stiff legs. The wife shouted at it; it spun and poised, plunging, then the husband struck it across the face with the coiled rope and it whirled and slammed into the corner of the fence. "Keep it there now," the husband said. He shook out the rope, advancing. The horse watched him shouted wild, glaring eyes; it rushed again, straight toward the wife.
She shouted at it and waved her arms but it soared past her in a long bound and rushed again into the huddle of its fellows. They followed and hemmed it again into the other corner; again the wife failed to stop its rush for freedom and the husband turned and struck her with the coiled rope. "Why didn't you head him?" he said. "Why didn't you?" He struck her again; she didn't move, not even to fend the rope with a raised arm. The men along the fence stood quietly, their faces lowered as though brooding upon the earth at their feet. Only Flem Snopes was still watching—if he ever had been looking into the lot at all, standing in a little island of isolation, chewing with his characteristic faint sidewise thrust beneath the new plaid cap.

William Faulkner:

The Texan said something, not loud, harsh and short. He entered the lot and went to the husband and jerked the uplifted rope from his hand. The husband whirled as though he were about to spring at the Texan, crouched slightly, his knees bent and his arms held slightly away from his sides, though his gaze never mounted higher than the Texan's carved and dusty boots. Then the Texan took the husband by the arm and led him back toward the gate, the wife following, and through the gate which he held open for the woman and then closed. He took a wad of banknotes from his trousers and removed a bill from it and put it into the woman's hand. "Get him into the wagon and get him on home," he said.

William Faulkner:

"What's that for?" Flem Snopes said. He had approached. He now stood beside the post on which the Texan had been sitting. The Texan didn't look at him.
"Thinks he bought one of them ponies," the Texan said. He spoke in a flat still voice, like that of a man after a sharp run. "Get him on away, missus."
"Give him back that money," the husband said, in his lifeless, spent tone. "I bought that horse and I aim to have him if I got to shoot him before I can put a rope on him." The Texan did not even look at him.
"Get him on away from here, missus," he said.
"You take your money and I take my horse," the husband said. He was shaking slowly and steadily now, as though he were cold. His hands open and shut below the frayed cuffs of his shirt. "Give it back to him," he said.
"You dont—you dont own no horse of mine," the Texan said. "Get him on home, missus." The husband raised his spent face, his mad glazed eyes. He reached out his hand. The woman held the banknote in her folded hands across her stomach. For a while the husband's shaking hand merely fumbled at it. Then he drew the banknote free.
"It's my horse," he said. "I bought it. These fellows saw me. I paid for it. It's my horse. Here." He turned and extended the banknote toward Snopes. "You got something to do with these horses. I bought one. Here's the money for it. I bought one. Ask him." Snopes took the banknote.

William Faulkner: [turning pages] They're in the lot again still trying to catch the horses. This is Eck and the little boy.

William Faulkner:

"Watch out, paw!" the boy said. "There he is! There's ourn!" It was the one the Texan had given Eck. "Catch him, Paw!"
"Get out of my way," Eck said. "Get back to that wagon." The line was still advancing. The ponies milled, clotting, forced gradually backward toward the open door of the barn. Henry was still slightly in front, crouched slightly, his thin figure, even in the mazy moonlight, emanating something of that spent fury. The splotchy huddle of animals seemed to be moving before the advancing line of men like a snowball which they might have been pushing before them by some invisible means, gradually nearer and nearer to the back—black yawn of the barn door. Later it was obvious that the ponies were so intent upon the men that they did not realize that the barn was even behind them until they backed into the shadow of it. Then an indescribable sound, a movement of desperate and despairing, arose among them; for an instant of static horror men and animals faced one another, then the men whirled and ran before a gaudy vomit of long wild faces and splotched chests which overtook and scattered them and flung them sprawling aside and completely obliterated from sight Henry and the little boy, neither of whom had moved though Henry had flung up both arms, still holding his coiled rope, the herd sweeping on across the lot, to crash through the gate which the last man through it had neglected to close, leaving it slightly ajar, carrying all of the gate save the upright to which the hinges were nailed with them, and so among the teams and wagons which choked the lane, the teams springing and lunging too, snapping hitch-reins and tongues. Then the whole inextricable mass crashed among the wagons and eddied and divided about the one in which the woman sat, and rushed on down the lane and into the road, dividing, one half going one way and one half the other.

William Faulkner:

The men in the lot, except Henry, got to their feet and ran toward the gate. The little boy once more had not been touched, not even thrown off his feet; for a while his father held him clear of the ground in one hand, shaking him like a rag doll. "Didn't I tell you to stay in that wagon?" Eck cried. "Didn't I tell you?"
"Look out, paw!" the boy chattered out of the violent shaking. "There's ourn! There he goes!" It was the horse the Texan had given them again. It was as if they owned no other, the other one did not exist; as if by some absolute and instantaneous rapport of blood they had relegated to oblivion the one for which they had paid money. They ran to the gate and down the lane where the other men had disappeared. They saw the horse the Texan had given them whirl and dash back and rush through the gate into Mrs Littlejohn's yard and run up the front steps and crash once on the wooden veranda and vanish through the front door. Eck and the boy ran up onto the veranda. A lamp sat on a table just inside the door. In its mellow light they saw the horse fill the long hallway like a pinwheel, gaudy, furious and thunderous. A little further down the hall there was a varnished yellow melodeon. The horse crashed into it; it produced a single note, almost a chord, in bass, resonant and grave, of deep and sober astonishment; [audience laughter] the horse with its monstrous and antic shadow whirled again and vanished through another door. It was a bedroom; Ratliff, in his underclothes and one sock and with the other sock in his hand and his back to the door, was leaning out the open window facing the lane, the lot. He looked back over his shoulder. For an instant he and the horse glared at one another. Then he sprang through the window as the horse backed out of the room and into the hall again and whirled and saw Eck and the little boy just entering the front door, Eck still carrying his rope. It whirled again and rushed on down the hall and onto the back porch just as Mrs Littlejohn, carrying an armful of clothes from the line and the washboard, mounted the steps.
"Get out of here, you son of a bitch," she said. [audience laughter] She struck with the washboard; it divided neatly on the long mad face and the horse whirled and rushed back up the hall, where Eck and the boy now stood.

William Faulkner:

"Get to hell out of here, Wall!" Eck roared. [audience laughter] He dropped to the floor, covering his head with his arms. The boy didn't move, and for the third time the horse soared over the unwinking eyes and the unbowed and untouched head and onto the front veranda again just as Ratliff, still carrying the sock, came around the corner of the house and up the steps. [audience laughter] The horse whirled without breaking or pausing. He galloped to the end of the veranda and took the railing and soared outward, hobgoblin and floating, in the moon. It landed in the lot still running and crossed the lot and galloped through the wrecked gate and among the overturned wagons and the still intact one in which Henry's wife still sat, and on down the lane and into the road.

William Faulkner:

A quarter of a mile further on, the road gashed pallid and moony between the moony shadows of the bordering trees, the horse still galloping, galloping its shadow into the dust, the road descending now toward the creek and the bridge. It was of wood, just wide enough for a single vehicle. When the horse reached it, it was occupied by a wagon coming from the opposite direction and drawn by two mules already asleep in the harness and the soporific motion. On the seat was Tull and his wife, in splint chairs in the wagon behind them sat their four daughters, all returning belated from an all-day visit with some of Mrs Tull's kin. The horse neither checked nor swerved. It crashed once on the wooden bridge and rushed between the two mules [audience laughter] which waked lunging in opposite directions in the traces, the horse now apparently scrambling along the wagon-tongue itself like a mad squirrel and scrambling at the end-gate of the wagon with its forefeet as if it intended to climb into the wagon while Tull shouted at it and struck at its face with his whip. The mules were now trying to turn the wagon around in the middle of the bridge. It slewed and tilted, the bridge-rail cracked with a sharp report above the shrieks of the women; the horse scrambled at last across the back of one of the mules and Tull stood up in the wagon and kicked at its face. [audience laughter] Then the front end of the wagon rose, flinging Tull, the reins now wrapped several times about his wrist, backward into the wagon bed among the overturned chairs and the exposed stockings and undergarments of his women. The pony scrambled free and crashed again on the wooden planking, galloping again. The wagon lurched again; the mules had finally turned it on the bridge where there was not room for it to turn and were now kicking themselves free of the traces. When they came free, they snatched Tull bodily out of the wagon. He struck the bridge on his face and was dragged for several feet before the wrist-wrapped reins broke. Far up the road now, distancing the frantic mules, the pony faded on. While the five women still shrieked above Tull's unconscious body, Eck and the little boy came up, trotting, Eck still carrying his rope. He was panting. "Which way'd he go?" he said. [audience laughter]

William Faulkner:

In the now empty and moon-drenched lot, his wife and Mrs Littlejohn and Ratliff and Lump Snopes, the clerk, and three other men raised Henry out of the trampled dust and carried him into Mrs Littlejohn's back yard. His face was blanched and stony, his eyes were closed, the weight of his head tautened his throat across the protruding larynx; his teeth glinted dully beneath his lifted lip. They carried him on toward the house, through the dappled shade of the chinaberry trees. Across the dreaming and silver night a faint sound like remote thunder came and ceased. "There's one of them on the creek bridge," one of the men said.
"It's that one of Eck's," another said. "The one that was in the house." Mrs Littlejohn had preceded them into the hall. When they entered with Henry, she had already taken the lamp from the table and she now stood beside an open door, holding the lamp high.
"Bring him in here," she said. She entered the room first and set the lamp on the dresser. They followed with clumsy scufflings and pantings and laid Henry on the bed and Mrs Littlejohn came to the bed and stood looking down at Henry's peaceful and bloodless face. "I'll declare," she said. "You men." [audience laughter]

[end of recording]